FOMUS Documentation

List of Examples

2.1. Unzipping the Tarball

2.2. Downloading from Subversion Repository

2.3. Downloading the Development Version from Subversion Repository

2.4. Compiling and Loading

2.5. Running the Installation Script 1

2.6. Running the Installation Script 2

2.7. Emacs Init Lines 1

2.8. Emacs Init Lines 2

3.1. FOMUS Usage 1

3.2. FOMUS Usage 2

3.3. FOMUS Usage 3

3.4. FOMUS Usage 4

3.5. FOMUS Usage 5

3.6. FOMUS Usage 6

3.7. FOMUS Text Input File

3.8. FOMUS Usage 7

3.9. FOMUS Usage 8

3.10. FOMUS Usage 9

3.11. FOMUS Usage 10

3.12. FOMUS Usage 11

3.13. FOMUS Usage 12

3.14. FOMUS Usage 13

3.15. FOMUS Usage 14

3.16. FOMUS Usage 15 (Command Line)

4.1. PART-INSTR Slot Setting

4.2. TIMESIG-DIV Slot Setting

4.3. EVENT-NOTE Slot Setting 1

4.4. EVENT-NOTE Slot Setting 2

4.5. EVENT-NOTE Slot Setting 3

4.6. EVENT-NOTE Slot Setting 4

4.7. EVENT-VOICE Slot Setting

4.8. EVENT-MARKS Slot Setting 1

4.9. EVENT-MARKS Slot Setting 2

4.10. INSTR-CLEFLEGLS Slot Setting

4.11. INSTR-PERCS Slot Setting

5.1. DEFAULT-MEAS-DIVS Setting

5.2. DEFAULT-TUPLET-DIVS Setting

5.3. DEFAULT-TUPLETS Setting

5.4. ENSEMBLE-TYPE Setting 1

5.5. ENSEMBLE-TYPE Setting 2

5.6. FILENAME Setting

5.7. INSTR-GROUPS Setting

5.8. INSTRUMENT Setting

5.9. OUTPUT Setting 1

5.10. OUTPUT Setting 2

5.11. OUTPUT Setting 3

5.12. PERCUSSION Setting

8.1. Initialization File Contents

9.1. Simple Example

9.2. Staccato and Accent Marks

9.3. Quartertones

9.4. Polyphony with Slurs

9.5. Piano Chords

9.6. Quantizing/Chords

9.7. Mark Objects

9.8. Percussion 1

9.9. Percussion 2

9.10. Percussion with Automatic Durations

9.11. Semi-Orchestra Score

9.12. Key Signatures

9.13. Chunks

9.14. 2 Part Polyphony

9.15. 2 Part Polyphony (FOMUS Chooses the Voice)

9.16. 3 Part Polyphony

9.17. 6 Part Polyphony

9.18. Text Input Commands (From Lisp)

9.19. Text Input Commands (Command Line)

9.20. Simple Text Input Example

9.21. Staccato and Accent Marks

9.22. Percussion

9.23. Articulations

9.24. More Percussion

9.25. Overtone Series (using Quartertones)

9.26. Marks 1

9.27. Marks 2